The contributions discuss models of ethics and pit them against principles and upturned notions of ethics and human rights
| Editor | Nina Montmann |
|---|---|
| Publisher | SternbergPress |
| ISBN | 978-1-934105-87-0 |
| Reference | P2328 |
| Date | 2013 |
| Type | Publication |
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
Focuses on the intersection of social and public projects, and the possibilities of art practice in public space.
Part of Library of Performing Rights (P3041)
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.
Brings together commissioned pieces by 50 artists and theorists whose works have shaped steirischer herbs over the past decade.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, this publication evaluates the prominent role that new media has come to play in artistic practices – and social movements – in the Arab world today.
Part of the Study Room Guide on Live Art and Displacement (P3107).
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
Using Jerome Bel's Disabled Theater – a dance piece that features a company of professional disabled actors – as the basis of a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment.
The publication is comprised of eight essays, two interviews, and 15 case studies of political theatre makers, and investigates the performing arts as a political laboratory of the present. It explores how theatre, dance, and performance reveal their essential agnosticism, provoking the potential to actively change society rather than merely serving as a cover-up for the dysfunctions, fractures, and wounds of society.
Catalogue comprising of the work of more than 65 artists, featuring a variety of media, from the exhibition at the Museum of Contemporary Art San Diego
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.