This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
This special edition newspaper and supplement was published to coincide with the Hayward Gallery’s exhibition of the same name, which explores how the digital and physical realms of the city interact and overlap. Includes an introductory essay by curator Stephanie Rosenthal and a collation of images and other artistic and textual interventions by writes Chloe Aridjis, Deborah Levy and Stewart Home.