Second edition of the artwork exploring the potential of Live Art to bridge generations.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
Two LADA programmes, as part of the 2015 Sacred season at Chelsea Theatre, London, in November 2015.
Book review.
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
1:41
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
Documentation of a day of screenings, conversations and presentations which explore, recover and communicate the history of performance art in London and the UK in the 1970s. The day includes a screening of William Raban’s film 72-82 (a history of art and performance at Acme Gallery, London), followed by a panel discussion with William Raban (Professor of Film at London College of Communication), and special guests; a conversation with Hilary Westlake and David Gale (Lumiere & Son); lectures by Naseem Khan, Anne Bean, and Marcia Farquhar; with a keynote by the historian Carolyn Steedman (Emeritus Professor of History, University of Warwick).
A small selection of study room material on the subject of documention.
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
Documentation of The Subjectivity and Feminisms Research Group's Performance Dinners, in which artists and academics are invited to 'perform' their response to the evening's theme, addressing the relationship between subjectivity and the artwork, particularly in regard to feminist theories. Contributors: Mo Throp, Maria Walsh, Verina Gfader, Georgina Starr, Kate Smith, Leda Papaconstantinou, Monika Oechsler, Katherine Meynell, Despina Meimaroglou, Rebecca Fortnum, Sutapa Biswas, Laura Malacart, Catherine Maffioletti, Claire MacDonald, Dominika Kieruzel, Susan Kelly, Rebecca Hallifax, Lucy Gunning, Fran Cottell, Brian Dawn Chalkley, Jo Bruton, Katie Baker, Gill Addison, Claudia Kappenberg, Celestin Edwards, Maria Walsh, Sarah Tremlett, Ana Laura Lopez de la Torres, Sissu Tarka, Sarah Smith, Lucy Reynolds, Anita Ponton, Susannah Pal, Jo Mitchell, Catherine Maffioletti, Claire Walsh, Marcia Farquhar, Sharon Bennett, Oreet Ashery, Yolande Burgin, Rose Cronin, Elisha Foust, Oriana Fox, Dominika Kieruzel, Elena Loizidou, Kristen Lovelock, Caroline Smith
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.
A collection of ‘found' writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011
A short guide to the life of this performance, spanning between 1999 and 2009. Farquhar narrates and performs acts of undressing and redressing through personal anecdotes. Includes one printed images. Booklet contained in large folder
A functioning outdoor lecture theatre in a roadside refuse skip and ad hoc lecture series on the subject of what is and what is not trash.
Part of the Trashing Performance programme, 25-29th October 2011.
*currently unavailable*
Festival documentation. 2nd-21st March 2010
Incorporates 13 short-films by 13 different filmmakers, each a reconfiguration of a once-live work from the last 12 years of Farquhar’s practice.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
National Review of Live Art: The 30th Edition,
Margate’s First Beaux Arts Ball
Kira O’Reilly as festival thinker-in residence.
National Review of Live Art, performance art festival, Scotland, Glasgow
New Moves International, 2010, Black boxed set comprising: 1979-2010 a personal history, Archive 1979-2010, 40 pages and 3-disc DVD
Series of articles and conversation on the National Review of Live Art. 6-10 Feb 2008
Interviews and conversation on the National Review of Live Art. 6 -10 Feb 2008
Unbound pages. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
missing
Video document accompanying REF P1032
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
A guide to the groundbreaking yet frequently marginalised practices of artists working in performance art in the UK in the 1070s.
In March 2016 the Hear Me Roar! Festival invited LADA to curate a small selection of items for a Pop-up Study Room during the Festival. Hear Me Roar! is a festival of feminist arts in Lancaster. In 2016 the theme was Ages, Stages and Phases celebrating feminist art across the generations.
VIEWING ON PC OR MAC ONLY – NOT DVD READABLE
For DVD copies see: D1459, D1460, D1461. For full programme see P1496