Features 32 selected videos in various different formats made from 1999 – 2017.
Part of Library of Performing Rights (P3041).
Anthropologists, writers, philosophers, artists, sociologists and architects from around the world voice their views of the challenges facing society today. The content ranges from anecdotes to complex research projects. In Spanish and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Mezzadra and Neilson explore the atmospheric violence that surrounds borderlands and border struggles across various geographical scales, illustrating their theoretical arguments with illuminating case studies drawn from Europe, Asia, the Pacific, the Americas, and elsewhere.
Publication on the project which saw the artist working with the residents of Iwade from July 2015 to explore the village’s changing identity in the flux of the new build development. The project included workshops, residencies and live events hosted by artists, musicians and archeologists.
This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
Catalogue of the work presented by the artists representing Ireland at the 26th biennial on “Free Territory” extraterritorial zone where artists erect their utopian settlements. Includes audio CD (see REF. D1968).
AUDIO CD accompanying the catalogue (see REF. P2018) of the work presented by the artists representing Ireland at the 26th biennial on “Free Territory” extraterritorial zone where artists erect their utopian settlements.
Fifteen installation and performance artists shared the gallery space throughout a six-week period. This publication documents the resulting exhibition through photographs and diagrams.
This exhibition in a book presents some of the most challenging art to address the function of place in the contemporary world.
Marking the Territory – A performance event curated by Marina Abramovic. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)