Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
A project based on a hypotethical (hypothetical and ethical) situation (political, social, military, security, natural catastrophy …) in which the citizens of highly developed countries (mainly from the West) would be forced to leave their country and look for a temporary home in another country.
Part of the Library of Performing Rights (LPR) (P3041).
Slovenian collective's second album.
Part of the Library of Performing Rights (LPR) (P3041).
LADA screening programme for In Pursuit of Pain, a Wellcome Collection Friday Late Spectacular.
Bob Flanagan: Cystic Fibrosis Song (1977)
Cassils: Inextinguishable Fire (2015)
Wafaa Bilal: Shoot an Iraqi (2007)
Oleg Kulik: Dog House
Orlan: Succesful Operation (1990)
Marina Abramovic: On Rhythm 0 (2013)
Ron Athey: Ron’s Story (2001)
Rocío Boliver: Times Go By and I Can’t Forget You
The publication is comprised of eight essays, two interviews, and 15 case studies of political theatre makers, and investigates the performing arts as a political laboratory of the present. It explores how theatre, dance, and performance reveal their essential agnosticism, provoking the potential to actively change society rather than merely serving as a cover-up for the dysfunctions, fractures, and wounds of society.
This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.
Catalogue of the last two decades (1993-2013) of this performing arts journal. Contributions in Slovenian and English.
This collection touches upon numerous ideological categories that appear in the encounters between East and West as a consequence of the hierarchical matrix of the western narrative.
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.
Organised around the text from ‘First Night’ (2001) the book reflects on Etchells’ practice with Forced Entertainment and solo work, while exploring contemporary performance documentation.