The publication is comprised of eight essays, two interviews, and 15 case studies of political theatre makers, and investigates the performing arts as a political laboratory of the present. It explores how theatre, dance, and performance reveal their essential agnosticism, provoking the potential to actively change society rather than merely serving as a cover-up for the dysfunctions, fractures, and wounds of society.
This publication explores the growing ethical consciousness within the artistic community, as it relates to art’s production and distribution mechanisms.
An artist’s book in which American choreographer reflects on her own practice in dialogue with several (former) Damaged Goods collaborators.