This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.
A survey of The Arts Catalyst’s pioneering zero gravity projects carried out 2000 – 2004. Essays by Eduardo Kac, Marina Benjamin, Rob la Frenais, Kodwo Eshun. Introduction by Nicola Triscott.