Spells are poems; poetry is spelling. Spell-poems take us into a place where the right words can influence the universe.
Zine on how fact activists see the world.
Eight short videos from 2003. Includes: Whirl-Mart, Virgin on the Ridiculous, Prayers to Products, Cleaning the MCA, Taking 'Back' Action, UK Stop Shopping Tour, Re-Call Cup Fault, Cleaning Wall St
Part of the Library of Performing Rights (LPR) (P3041).
The archive-book of the 1978-1982 works of performance artist Antonio Syxty, active in Milan in connection with the basement theatre Out Off.
Using Jerome Bel's Disabled Theater – a dance piece that features a company of professional disabled actors – as the basis of a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment.
The book exposes the activity of the OHO Group (1966-1971) and of the movement OHO-Catalogue (1966-1970) in the context of Slovene national culture, Yugoslavian socialistic culture and international youth culture of the late 1960s and early 1970s.
Artists’ work and critical texts.
The first book of Kurt Schwitters’ writings translated into English.
Practice Based Research into Cultural Democracy and the Commissioning of Art to Effect Social Change.
Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever’, contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art’s multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist’s experiences and body as a kind of living archive.
This item is referenced in the Dreams for an Institution Guide (P2313).
This item is referenced in the Dreams for an Institution Guide (P2313).