The publication is comprised of eight essays, two interviews, and 15 case studies of political theatre makers, and investigates the performing arts as a political laboratory of the present. It explores how theatre, dance, and performance reveal their essential agnosticism, provoking the potential to actively change society rather than merely serving as a cover-up for the dysfunctions, fractures, and wounds of society.
This collection touches upon numerous ideological categories that appear in the encounters between East and West as a consequence of the hierarchical matrix of the western narrative.
Frakcija no 55 explores the work of the curator.