Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and recreated the opening audition scene from the 1985 film 'A Chorus Line'.
Part of LADA Screens 12. The film was available online 9 - 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
The culmination of a year-long project at BalinHouseProjects (BHP), an artist-run, not-for-profit space by Eduardo Padilha at his flat in Tabard Gardens North Estate.
Part of Library of Performing Rights (P3041).
10 practitioners from different backgrounds reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
Two LADA programmes, as part of the 2015 Sacred season at Chelsea Theatre, London, in November 2015.
Third edition of the open-access art journal for creative writing.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
1:41
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
Endurance was a three-day programme of screenings, performances and exhibition exploring the physical and mental limits of human experience (24 April – 26 June 2008 at VIVID, Birmingham). This forder includes flyers, programme and booklet with programme notes and texts by Tracey Warr, Kay Winwood, Deborah Kermode.
Publication that accompanies an exhibition organized by the Institute of International Visual Arts in London, explores the representation of the veil in contemporary visual arts.
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
Commissioned by the Live Art Development Agency this collection of videos collated into a DVD represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks. DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes – see D1050. Accompanying essay/booklet by David A Bailey , 14 pages, 14cm x 19cm – see P1081.
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.
1 of 2 DVDs (see also REF. D1960). Unedited work in progress version of the round table discussions commissioned by the Live Art Development Agency for Documenting Live a publication and dvd resource that represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks (see REF. P1081 and D1050).
1 of 2 DVDs (see also REF. D1961). Unedited work in progress version of the round table discussions commissioned by the Live Art Development Agency for Documenting Live a publication and dvd resource that represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks (see REF. P1081 and D1050).
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects.
Artist archive.
Performance and Cocktails25 August 2010Royal Vauxhall Tavern7.30 DJ Father ClothHostess: Amy LameToilet Attendent: Harold Offeh8.30pmHelena Hunter: The Other RoomWendy Houstoun: StarbuckedDominic Johnson: Departure9pm DJ Father Cloth9.20pmRoy Kerr: In Third PlaceMitch & Parry: Oceans ApartSpecial Guest George Chakravarthi: Negrophilia!9.45 DJ Father Cloth10pmH. Plewis: Rom Dot ComRajni Shah: Song of LettersNeil Bartlett: Sleeping Beauty10.30pm show ends – DJ Father Cloth11.30pm Last Orders
Performance and Cocktails26 August 2010Royal Vauxhall Tavern7.30 DJ Father ClothHostess: Amy LameToilet Attendent: Harold Offeh8.35pmDominic Johnson: DepartureWendy Houstoun: StarbuckedHelena Hunter: The Other Room9.10pm DJ Father Cloth9.30pmRajni Shah: Song of LettersRoy Kerr: In Third PlaceSpecial Guest Kira O’Reilly9.55 DJ Father Cloth10.10pmH. Plewis: Rom Dot ComMitch & Parry: Oceans ApartNeil Bartlett: Sleeping Beauty10.40pm show ends – DJ Father Cloth11.30pm Last Orders
Performance and Cocktails26 August 2010Royal Vauxhall Tavern7.30 DJ Father ClothHostess: Amy LameToilet Attendent: Harold Offeh8.35pmDominic Johnson: DepartureWendy Houstoun: StarbuckedHelena Hunter: The Other Room9.10pm DJ Father Cloth9.30pmRajni Shah: Song of LettersRoy Kerr: In Third PlaceSpecial Guest Marisa Carnesky: An Introduction to Dystopian Wonders by Dr. Carnesky9.55 DJ Father Cloth10.10pmH. Plewis: Rom Dot ComMitch & Parry: Oceans ApartNeil Bartlett: Sleeping Beauty10.40pm show ends – DJ Father Cloth11.30pm Last Orders
Margate’s First Beaux Arts Ball
Dead Season Live Art 2010, Margate. Limbo Arts. See P1496 for full Dead Season Live Art programme.
Brochure to accompany the exhibition.
DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes.Accompanying essay/booklet by David A Bailey , 14 pages, 14cm x 19cm.
Review of a LADA published DVD. Photocopy of original article.
A selection of artists’ film and video works commissioned and produced by Picture This between 2000 and 2007.
Accompanying essay by Lucy Reynolds. Running time 102 mins.
Essay by David A Bailey , 14 pages, 14cm x 19cm. Attached DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
VIEWING ON PC OR MAC ONLY – NOT DVD READABLE
For DVD copies see: D1459, D1460, D1461. For full programme see P1496