Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
The result of five years of practice-based creative research focused on the UPRISING project, the book presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide.
Part of the Library of Performing Rights (LPR) (P3041).
How does protest engage with theatre? What does theatre have to gain from protest?
One of the first comprehensive treatments of land use in contemporary art, the collection surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Newspaper commissioned for (in)Xclusion festival 2012. The brief was to respond to issues of social exclusion through the framing of performance – images generated collaboratively over a 3 day workshop.
Special Issue; Volume 25, Issue 3.
Collection of nterviews with Henry Rollins focusing on Henry’s travels often to countries considered dangerous and off-limits.
Nick Ahad reports on a 24-hour arts occupation in Leeds. In Miscellaneous Folder 4.
Tactical Media employ the ‘tactics of the weak’ to operate on the terrain of strategic power by means of ‘any media necessary’, this notebook traces the legacies of tactical media to begin creating these hybrid cartographies