A collection of three radically poetic works for live performance. Includes JARMAN, Carthage/Cartagena), and The Orphan Sea.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
A collection of three life performance texts by the OBIE Award winning playwright. Includes: JARMAN (all this maddening beauty), Carthage/Cartagena, The Orphan Sea and essays.
Arts professionals respond to questions on the current surge in liveness—live art, one-on-one performance, participatory events, real time live/digital interactivity and resurgent performance art.
A collection of ‘found' writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011
What are the legitimate concerns of dance today? In its with incarnation, this edition of the what_ Festivals builds on the energy each previous festival has generated in answering that question. Kick-started by Gill Clarke (1954-2011), co-director of Independent Dance, the festivals act on a desire to showcase a new generation of dance artists. Each brings to the foreground artists and ideas that are not always given a visible platform.
Panel discussion: Part of PSi18 at University of Leeds 2012. Can be found in Digital Videos 12 folder
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Brings together texts from a variety of sources representative of the most engaging, provocative and thoughtful writing about Live Art.
Folder of articles and reviews in relation to Out of Now – The Lifeworks of Tehching Hsieh by Adrian Heathfield and Tehching Hsieh.
Find article in misc. folder 2
See also, The Live Art Almanac vol. 2, catalogue ref. P1696. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)