Brings together commissioned pieces by 50 artists and theorists whose works have shaped steirischer herbs over the past decade.
Using Jerome Bel's Disabled Theater – a dance piece that features a company of professional disabled actors – as the basis of a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment.
The contributions discuss models of ethics and pit them against principles and upturned notions of ethics and human rights