Catalogue > By Keyword > migrant
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Dangerous Border Crossers: performingborders x La Pocha Nostra
Audio documentation of a participatory conversation in response to La Pocha Nostra’s commitment to use performativity as a methodology of resistance and to erase the borders between art and politics, art practice and theory, and artist and spectator, on 2nd August 2024 at The Garrett Centre.
performingborders has been exploring performance and Live Art practices across notions and lived experiences of intersectional borders since 2016, inspired by La Pocha Nostra’s work. Drawing from Guillermo Gómez-Peña’s publication Dangerous Border Crossers: The Artist Talks Back (2000), they explored LADA Study Room’s resources around borders and performances, including the Performing Borders Study Room Guide. They also drew from their own archive to highlight artists whose practices challenge the diversity of experiences at the intersections of cultural, juridical, racial, gendered, class, physical, economic, and everyday borders.
This is an audio file. For a version with closed captions, please visit out vimeo channel.
Queer Lovers and Hateful Others: Regenerating Violent Times and Places
Berlin is once more capital of queer arts and tourism. Queerness is more visible today than it has been for decades, but at what cost? This book argues that queer subjects have become a lovely sight only through being cast in the shadow of the new folk devil, the ‘homophobic migrant’ who is rendered by society as hateful, homophobic and disposable.
Part of the Library of Performing Rights (P3041)
Performing Antagonism: Theatre, Performance & Radical Democracy
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
Women, the arts and globalization
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Strangers with Angelic Faces
Exhibition of film, video, installation, photography and visual art exploring ‘strangers: alien migrants, borders, travellers, people with different ethnic backgrounds, and the homeless. Identity, crossing borders, creating alternative narratives through art. 1 March-8 April 2006 Space, London. Akbank Sanat, Istanbul, 17 May-24 June 2006. Publication in Turkish and English.
The Front Room - Migrant Aesthetics in the Home
When an Interpreter Could Not be Found
Excerpts from Disappeared in America.
