The second volume of the landmark trilogy consent not to be a single being.
Drawing together communiques, covert interviews and underground histories of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people.
Signed copy.
Provides a historical overview of feminist strands among the modern revolutionary movements of Russia, China and the Third World.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
A collection of polemical writings, assaults, comments and theoretical discussions and analysis that appeared in reaction to the eponymous video, made in Belgrade, in 2007.
In Serbian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Textbook from the performance / social experiment. The audience (a.k.a participants) underwent several stages of assessments to decide who remained in the experiment, and who was liberated from it. By the end, only one participant was crowned “LGB”. Presented during the Singapore International Festival of Arts 2016.
Accompanying text for the BilderBedarf Exhibition 2012-13, Cologne, Germany; exploring the effects of works of art in relation to civil society
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. Jungmin Song’s dialogue explores the spectacles of the death of power and repressed mourning through performative tales of the Two Koreas.
Papers and material from the Conference: Culture and the State, held at the ICA, March, 1984.
Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever’, contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art’s multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist’s experiences and body as a kind of living archive.
This item is referenced in the Dreams for an Institution Guide (P2313).
This item is referenced in the Dreams for an Institution Guide (P2313).
Book about the erasure of tens of thousands of people from the register of permanent residents, which took place after Slovenia gained independence.
Part of the Library of Performing Rights (LPR) (P3041).