Catalogue > By Keyword > Matthew Goulish

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Pleading in the Blood: The Art and Performances of Ron Athey

Artist/Author: Ron Athey | Editor: Dominic Johnson | Reference: P2115 | ISBN: 978-1-78320-035-1 | Type: Publication

Pleading in the Blood: The Art and Performances of Ron Athey presents the first critical overview of this major artist’s work. It demonstrates how Athey foresaw and precipitated the central place afforded they body and identity politics in art and critical theory in the 1990s and beyond.

An Interview with Hancock and Kelly

Artist/Author: Jennie Klein | Reference: A0884 | Type: Article

An interview focused on An Extraordinary Rendition, performance created in response to the work of Goat Island. In misc. folder 7.

Barbary Lion

Artist/Author: Every house has a door | Digital Reference: EF5296 | Type: Digital File

A short animation about the regionally extinct lion.

Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.

TO YOU TO YOU TO YOU: Love Letters to a (Post)Europe

Editor: Lisa Alexander | Reference: P3669 | ISBN: 978-1-9164243-2-6 | Type: Publication

An intimate collection of letters, poetry and postscripts by artists and writers that seeks to connect, exchange and witness through the action, idea or form of a love letter. The book builds on a programme that took place at Bios, Athens (2015).

Goat Island reading companions

Artist/Author: Goat Island | Reference: P3331 | Type: Publication

Includes: It's an Earthquake in My Heart: Reading Companion; The Sea & Poison: Reading Companion; North True South Free; The Lastmaker

Atos de Falo documentation

Artist/Author: Various | Reference: P1878 | ISBN: 978-85-65224-00-0 | Type: Publication

Catalogue which documents construction of works and relevant texts from the Atos de Falo festival in Brazil.  In Portuguese and English

Goat Island A Last, A Quartet

Artist/Author: Goat Island | Reference: D1813 | Type: DVD

Goat Island A Last, A Quartet, a collection of Goat Island films (made with Lucy Cash) and reading companion including essays by David Williams ('Inter-views and the flower mind: An Exploded View of Goat Island's Films'), and Theron Schmidt ('After This, Birdsong'). It's Aching Like Birds, Dark, Daynightly They Re-School You the Bears-Polka, A Last, a Quartet, performance group, collaborative performance.

A World of Art (documentary series)

Artist/Author: Goat Island | Reference: D1797 | Type: DVD

Goat Island, A World of Art (documentary series).

My Heart is Pounding

Artist/Author: Goat Island, Mel Dolan | Reference: A0416 | Type: Article

Mel Dolan reports on the Goat Island Summer School in Bristol 2001

Geographies of Requiredness: Notes on the Dramaturgin Collaborative Devising

Artist/Author: David Williams | Editor: Cathy Turner, Synne Behrndt | Reference: A0369 | Type: Article

David Williams, Geographies of Requiredness: Notes on the Dramaturg in Collaborative Devising

Not Even a Game Anymore - The Theatre of Forced Entertainment

Artist/Author: Forced Entertainment | Editor: Judith Helmer / Florian Malzacher | Reference: P0481 | ISBN: 3-89581-115-7 | Type: Publication

Articles by: Patricia Benecke, Tim Etchells, Matthew Goulish, Adrian Heathfield, Judith Helmer, Hans-Thies Lehmann, Florian Malzacher, Annemarie Matzke, Andrew Quick, Anke Schleper, Gerald Siegmund, Astrid Sommer. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Performing Idea: Trashing Performance preview

Artist/Author: Oreet Ashery, Mel Brimfield, Gavin Butt, Dominic Johnson, Bird La Bird | Reference: D2104 | Type: DVD

Performance Matters: Performing Idea – Performative Writing

8th October 3.00-7.30pm

Perfroming Idea: Performative Writing

Artist/Author: Matthew Goulish, Peggy Phelan, Lin Hixson | Reference: D1476 | Type: DVD

Performance Matters: Performing Idea – Performative Writing8th October 3.00-7.30pm (not 7th as stated on disk))Toynbee StudiosWith: Hélène Cixous (on video), Matthew Goulish, Adrian Heathfield and Peggy PhelanNew forms of writing on and around contemporary art and performance have emerged in recent years, alongside the emergence of the artist as cultural critic and curator. These forms of writing often problematize the notion of critical distance, deploying creative, dialogic and autobiographical strategies to engage with the multiple affects of the artwork. To what extent may critical thinking and writing be an art form? Speakers will examine the histories, limits and possibilities of the forms of ‘performative writing’, the dynamics of the performing idea.This session on Performative Writing will also comprise a preview of Trashing Performance, the second themed year of Performance Matters, with contributions from Oreet Ashery, Mel Brimfield, Gavin Butt, Dominic Johnson and Bird La Bird.

Performing Idea: Performative Writing

Artist/Author: Helene Cixous, Adrian Heathfield, Hugo Glendinning | Reference: D2104 | Type: DVD

Performance Matters: Performing Idea – Performative Writing 8th October 3.00-7.30pm (not 7th as stated on disk) Toynbee Studios.

Performing Idea: Other Durations

Artist/Author: Janine Antoni, Matthew Goulish | Reference: D2104 | Type: DVD

Performance Matters, Performing Idea – Other Durations5th October 3:00-7:30pmToynbee StudiosWith: Janine Antoni, Matthew Goulish, Bojana Kunst, Boyan Manchev, Fred Moten and Lara ShalsonTime in Western Cultures continues to accelerate and a slower unregulated life is seemingly nowhere to be found. Contemporary art has seen a resurgence of performances of long and short durations and a re-valuation of historical works of duration. Artists are increasingly playing with, inhabiting and transforming the time of the artwork. Speakers will address questions of how we can now think of the time of performance? What are the relations between performance, time and cultural value? How is performance reconfiguring and othering our understandings and experiences of time?

Lecture in a Stair Shape Diminishing: 366 Sentences for Vienna

Artist/Author: Goat Island | Reference: D1462 | Type: DVD

DVD – AUDIO ONLYThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

The Last Performance [dot org]: an impossible collaboration

Artist/Author: Robert Wilsmore | Editor: Ross Prior, Michell Kossak, Hayley Singlehurst | Reference: A0331 | Type: Article

As the Chicago based performance group Goat Island draw twenty years of beginnings to a close, they open up a myriad of lenses for reflection on, and continuation of, their work through the website project The Last Performance [dot org].

A New Performance (work in progress)

Artist/Author: Goat Island | Reference: D0847 | Type: DVD

Part of Sacred at Chelsea Theatre, London

What would your shadow do? / An Evening Stroll

Artist/Author: Goat Island | Reference: D0370 | Type: DVD

Yearlong writing project for radio broadcast

After Criticism: New Responses to Art and Performance

Editor: Gavin Butt | Reference: P0671 | ISBN: 0-631-23284-2 | Type: Publication

Explores contemporary approaches which have sought to renew criticism’s energies in the wake of a ‘theatrical turn’ in recent visual arts practice, and the emergence of a ‘performative’ arts writing over the past decade or so.

This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249) and the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)

Excerpts from The Sea & Poison and It’s an Earthquake in My Heart

Artist/Author: Goat Island | Reference: V0382 | Digital Reference: EV0382 | Type: Digital File

Excerpts from The Sea & Poison and It's an Earthquake in My Heart, Goat Island

Live: Art and Performance

Editor: Adrian Heathfield | Reference: P0553 | ISBN: 1-85437-501-6 | Type: Publication

Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.

This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)