Exhibition catalogue; Saatchi Gallery, 16 November – 31 December 2017.

Part of the Library of Performing Rights (LPR) (P3041).

Includes interviews, dialogues and critical writing on art and politics. In French.

Part of the Library of Performing Rights (LPR) (P3041).

How does protest engage with theatre? What does theatre have to gain from protest?

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.

Special Issue; Volume 25, Issue 3.

This publication charts very different tactics and strategies, written by practitioners from all over the world, mapping the broad field of engaged art and artistic activism in our times. Essays by Stephen Duncombe & Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig and Jonas Staal.

Created in collaboration with Pussy Riot, this book links together the events leading up to and after the group’s arrest and the themes they fight for – feminism, LGBTQ rights, freedom of speech and the environment.

A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.

Director Mike Lerner’s and Maxim Pozdorovkin’s cinematic portrait of the members of the feminist art collective Pussy Riot

herst. Theorie Zur Praxis follows the path of the festival (21 September – 14 October 2012) in Austria, by providing reflections, portraits and interviews by or on participants of the festival.