Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.
Programme for the project brining together seven artists exploring the concepts of diversity, transformation, hospitality and learning and how these concepts relate to humanity. Curated by Raphael Gygax.
Sheren explores performance art and politics on the US Frontera since 1984. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.
A collection of courses and syllabi for reference when teaching performance and live art practices.
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
Publication to coincide with exhibition, 2011, where Owens commissioned performance scores—written or graphical instructions for actions— from a multigenerational group of African-American artists.
A collection of the festival catalogues from 1996 to 2006 in Slovenian and English.
A collection of press material dating mainly between 1995 and 1996.
Papers from Artistic and cultural identity in Latin America, a conference convened by Arts International in collaboration with Memorial da América Latina, Sept. 23-25, 1991. In both English and Spanish.
Festivals took place in Ljubljana, 8-13 October 2001, and 2-10 October 2006. Text in both Slovenian and English. http://www.cityofwomen.org
To coincide with the 6th Liverpool Biennial 18 September – 28 November 2010.
Anthology of voices of key contemporary artists concerned with feminism, from the 1960s to the 1990s/beginning of 2000s, with text by Reckitt and Phelan. Includes biographical information. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Essays, artworks on cultural diversity and performance, UK and USA. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Collection of texts. The project one side is set to explore art practices which perform the subject and others and on another side to examine ways in which performance offers new models for interpreting contemporary art.
Drawn from papers and discussions first heard at one day conference held at the Birmingham Institute of Art and Design, University of Central England, 5 June 1999.
Part of the Library of Performing Rights (LPR) (P3041).