Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.
Programme for the project brining together seven artists exploring the concepts of diversity, transformation, hospitality and learning and how these concepts relate to humanity. Curated by Raphael Gygax.
Sheren explores performance art and politics on the US Frontera since 1984. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.
A collection of courses and syllabi for reference when teaching performance and live art practices.
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
Publication to coincide with exhibition, 2011, where Owens commissioned performance scores—written or graphical instructions for actions— from a multigenerational group of African-American artists.
A collection of the festival catalogues from 1996 to 2006 in Slovenian and English.
A collection of press material dating mainly between 1995 and 1996.