Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Exploring a range of topics, including Greek tragedy, Shakespearean theater, contemporary British plays, opera, and the theatricality of Parisian culture, this compilation provides new perspectives on the relationship between Eros and Death in a series of dramatic texts, theatrical practices, and cultural performances
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011
Investigates the implications of technology on identity in embodied performance.
Publication accompanying the homonymous symposium: a collaboration between Plymouth Arts Centre and artist Marina Abramovic to produce a performance event that explored the history and future of the artist’s work. Newspaper-style publication in large folder.
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320) and the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)