An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Recording a series of events held in London and Edinburgh in July and August 2016 celebrating the work of women using walking in their practice.
An article dissecting how arts interfere and engage with politics.
In misc folder 7.
Andy Field, Deborah Pearson and Ira Brand began Forest Fringe as a totally independent, not-for-profit space in the midst of the Edinburgh Festival. Since then they have built a community of artists and playwrights, and are consistently rated as being a festival highlight. This collection collates the best of their work from the past decade.
Special issue on ono-to-one encounters, desire, reciprocity and ethics.
Themed collections of performance documentation and works for camera projects addressing issues of borders/border crossings
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011
Forest Fringe, I Breathe Better Doing Something I Don’t Know How To Do, Edinburgh Fringe Festival, pamphlet detailing artists and performances for 2011
Documentation from LADA’s artist-development programme.
This Guide explores the notion of border in relation to Live Art and the works of experimental artists that have been addressing issues around physical borders, with a special focus on the current European situation and its multiple crises. The Guide includes a theoretical introduction on the relation between Live Art and social sciences’ border theories; a focus on how practitioners are responding to the current shifting European border landscapes through a series of interviews; and a list of resources on the theoretical notion of border, Live Art, and Europe available in LADA’s Study Room.