A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
Documentation from the DIY13 project: a collective process of devising and then performing a public action, over the course of a weekend.
Part of the Library of Performing Rights (LPR) (P3041).
A motivational handbook, filled with inspired visions of a wild, creative, Earth-led cultural revolution.
Explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.
The archive-book of the 1978-1982 works of performance artist Antonio Syxty, active in Milan in connection with the basement theatre Out Off.
On the process and politics of live critical responses to a live stream of Forced Entertainment’s And on a Thousandth Night.
An overview of the first 10 years of the VERBO festival, featuring texts by Brazilian and foreign authors.
In Portuguese and English; some text in Spanish.
An extract of an action performed in Peru as part of CAUTION in July 2011.
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This book brings to light the historical significance of five women artists – Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota, who were among the first Japanese women to leave their country – and its male-dominated, conservative art world – to explore the artistic possibilities in New York.