Documentary bout queer live art on tour across the UK .
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image.
Witchy femmes, queer conjurers, and magical rebels on summoning the power to resist.
Book review.
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
An article on autopbiographical perforance, including Fake It Till You Make It (Bryony Kimmings, Tim Grayburn), Elizabeth Taylor is my Mother (Suzie Hardgrave, La Mama Theatre), The Blueform (James Pratt, La Mama Theatre).
The book is an integral part of a retrospective exhibition; expressing belief systems and psychic connections, it represents the heart and soul of Sands' current work. Includesa poster and an invitation card.
A journal of a forty something mother/artist with two sons aged 5 and 13.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).