Catalogue > By Keyword > Catherine Wood

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Empty Stages, Crowded Flats: Performativity as Curatorial Strategy

Editor: Florian Malzacher and Joanna Warsza | Reference: P3272 | ISBN: 978-3-89581-443-3 | Type: Publication

Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.

How to Frame - On the Threshold of Performing and Visual Arts

Editor: Barbara Gronau and Matthias von Hartz | Reference: P3162 | ISBN: Sternberg Press | Type: Publication

From 2012 to 2016, Foreign Affairs, the international performing arts festival of Berliner Festspiele, and the Berlin University of the Arts (UdK) have been investigating the relations between the performing and visual arts. The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.

Who Cares? Dance in the Gallery & Museum

Artist/Author: Sara Wookey | Reference: P2809 | ISBN: 978-0992797416 | Type: Publication

A series of conversations with dance artists, curators and directors, who share their experiences of presenting or performing dance in museum and gallery spaces.

Live Forever: Collecting Live Art

Artist/Author: Teresa Calonje, et al. | Reference: P2522 | ISBN: 9783863355807 | Type: Publication

A collection gathering the voices of some catalysts of contemporary performance: artists, cultural engineers, curators, collectors.

A Bigger Splash: Painting after Performance

Artist/Author: Various | Editor: Catherine Wood | Reference: P2128 | ISBN: 978-1-84976-020-1 | Type: Publication

A Bigger Splash: Painting After Performance takes a new look at the dynamic relationship between performance and painting from 1950 to the present day. Published on the occasion of the exhibition of the same title at the Tate Modern, 14 November 2012 – 1 April 2013.

The ‘do-it-yourself’ artwork: Participation from Fluxus to new media

Artist/Author: various | Editor: Anna Dezeuze | Reference: P1523 | ISBN: 9780719081446 | Type: Publication

The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.