Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.
This unconventional documentary of Favela children–using pictures taken by the children themselves–organises representation around the theme of football and community.
In English and Portuguese.
Since 1995 this independent project has offered ‘street children’ the chance to express themselves through photography, writing and interviews. This publication contains examples of the work created.
This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.
The magazine features a wide range of contributions from writers and artists, politicians to poets discussing the true impact that arts and culture can have on society.
The Black Cone documents a 2012 performance by Spanish artist Santiago Sierra (born 1966), that resulted in a six-foot-high monolith in front of the Icelandic parliament, commemorating the third anniversary of the protests that followed the country’s economic crash.
Selected writings of French surrealist Georges Bataille.
A guide about the future of the small-scale visual arts sector, outlining economic and social understandings of value, measuring the value of arts organizations and sustainability.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
A lecture by William S. Burroughs on public discourse, with an introduction by Allen Ginsberg. Topics included are nuclear weapons, disarmament, the Equal Rights Amendment, aliens, dreams function of the artist, mind-altering drugs, reincarnation, space travel, television, and economics. Keywords: beat generation, literature and the state, technology and literature, literature and society, protest literature.This audio is part of the collection Naropa Poetics Audio Archives. It also belongs to collection: Audio Books and Poetry, www.archive.org/details/audio_bookspoetryArtist/Composer:Burroughs, William S.;Ginsberg, Allen.Date 1980-08-11. Label / Recorded by: Jack Kerouac School of Disembodied Poetics. Creative Commons license: Attribution-NoDerivs-NonCommercial creativecommons.org/licenses/by-nd-nc/1.0/www.archive.org/details/naropa This documentation has been presented under the stipulations of its Creative Commons license as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
see outsized materials shelf
Louder Than Bombs, Stanley Picker Gallery. See oversized materials shelf
This book is a kind donation by Natasha Davis
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.