Seminal but rarely seen performance, recorded at Club Lingerie in Los Angeles, California, 1984.The folder also includes a short promotional video.
Part of LADA Screens 8. The film was availble online between 29 March – 11 April 2016 on the LADA Screens Channel.
A graphic novel adaptation of the performance Splat! by The Famous.
Published in association with the Baltimore Museum of Art. Exhibition catalogue. Exhibition dates / The Baltimore Museum of Art: October 7, 2018-January 6, 2019 Wexner Center for the Arts: February 2-April 28, 2019
A kitsch video featuring the artist as a Mexican gunslinger arriving in Bethlehem for a duel with the Israeli Wall. Wearing a big sombrero and a scarf, the artist walks the streets of Bethlehem and greets the locals before taking off for her final showdown.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from Bowery’s 1988 performance.
27:18
Four monologues, interspersed with game-show antics requiring audience participation.
53 minutes. Unknown date.
This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5201.
Four monologues, interspersed with game-show antics requiring audience participation.
53 minutes. Unknown date.
Documentation from GETINTHEBACKOFTHEVAN’s DIY 10 project, which explored exertion, endurance, cliché and the epic using the musical Calamity Jane.
The project took place at Cambridge Junction. Part of LADA’s DIY.
4:38.
This DVD is currently missing. The digital files can be viewed in the Study Room. Their references are EF5197, EF5198, EF5199, EF5200.
4 short videos. 2006. Includes:
Introduction 2:18
Sensitive Boy 1:10
Fatally Attracted (to colourful and glittery things) 3:20
poofter 3:03
Video work accompanying the homonymous durational performance in which the artist imitates the hairstyles of four famous men. The video consists of found footage of the four public figures mixed with performance material. Performers: Oreet Ashery, Andrew Mitchelson and Owen Parry.
Excerpt of video documents a live performance held in the summer of 1976. Super 8 film & video, colour, sound.
Texan drag sensation Christeene Vale’s 6th installment of the CHRISTEENE Video Collection, Celebrity gets Fucked.
Exploring aesthetics of the 1980s.
2012 exhibition catalogue with critical texts.
Performed at In Between Time festival, Arnolfini, Bristol, 2013.
DVD featuring live footage from 1993-2007.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011
theory on Lady Gaga, new feminism, gender and sexual fluidity
This journal can be found in ‘Miscellaneous’.
Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.
In a series of twenty-four candid interviews with influential women artists, author Zora von Burden gives some of the most influential cultural innovators of this generation a voice, and probes the depths of how and why they broke through society’s limitations to create works of outstanding measure.
Study Boxes contain hand picked selections of DVDs, books and other materials from the LADA Study Room around specific themes. Installed in Festival hubs and other locations, and curated in dialogue with partners, each Study Box can hold between four to ten items and can be used by audiences for a quick browse or a day-long study. After the events the Boxes are returned to the Study Room and listed in this Guide so that users can explore these themes and materials during their visit to the LADA Study Room.
2 DVD documentation and soundtrack excerpts, plus postcards documenting the performance Communist Bigamist: Two Loves Stories.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Brian Lobel- excerpts and full stage performances of: Ball & Other Funny Stories About Cancer, Carpe Minuta Prima, Hold My Hand and We're Halfway There, Cancer and Cigarettes, Tommyknockers, Guerilla Pub Quiz, Yoga at St.Barts and Fun with Cancer Patients
Trashing Performance Photographs, 25-29 October 2011 by Christa Holka. Still images from talks and performances: 25 Oct – Trashing Salon, Mel Brimfield ‘This is Performance Art’, 26 Oct – Under/Overwhelmed, Lauren Berlant, Adrian Howells, Jennifer Doyle, Bird La Bird, Lisa Blackman, David Hoyle, Scottee, 27 Oct – Underground/mainstream, Neil Bartlett, Dominic Johnson, Bruce Benderson, Keith Khan, Performance Space, Lois Keidan, Mara Vujic, Dickie Beau, Gavin Butt, This is Not a Dream, Ben Walters, 28 Oct – outsider actions, Oreet Ashery, Joe E. Jeffreys, Bettina Knaup, Platform, Liberate Tate, Rocío Boliver, Bavand Behpoor, Marcia Farquhar, Femuseum, Lois Weaver, Amy Lame, Carmelita Tropicana, Bird La Bird, 29 Oct – Common, Franco Bifo Berardi, Tania Bruguera, Tavia Nyong’o, Simon Casson, Ingo Cando, Common Culture, Vaginal Davis.
This item is part of the Study Room Guide to Remoteness (P2600).
Event documentation.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
This documentation has since been presented with the permission of Revelation Films as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
DIY zine given out by the artists during their performance of Kein Applaus fuer Scheisse at In Between Time, Bristol 2013.
LADA Anthologies are themed collections of performance documentation and works for camera that the Agency has been invited to curate for public programmes in the UK and internationally.
Drawing on materials housed in LADA’s Study Room and documentation publicly available online, the materials were originally presented as illustrated talks, then catalogued as LADA Anthologies.