Develops a three–part definition of xenofeminism grounded in the ideas of technomaterialism, anti–naturalism, and gender abolitionism.
The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.
Collection of texts concerning a diversity of issues relating to feminism and visual cultures, arranged thematically and introduced by the editor. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249) and the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)