Empty Stages, Crowded Flats: Performativity as Curatorial Strategy

Notes

Investigates an array of staged situations, from choreographed exhibitions, immaterial museums, theatres of negotiation, and discursive marathons, to street carnivals and subversive public-art projects, and asks how ‘theatre-like’ strategies and techniques can in fact enable ‘reality making’ situations in art, and how, as a consequence, curating itself becomes staged, dramatised, choreographed, and composed.

Editor Florian Malzacher and Joanna Warsza
Publisher House on Fire, Alexander Verlag and Live Art Development Agency
ISBN 978-3-89581-443-3
Reference P3272
Date 2017
Type Publication

Keywords

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