Book documenting the discussions, works and event culminating in the exhibition I Believe opened in Moscow on 28 January 2007. The project instigates the possibility for contemporary artists to address the issue of the transcendental. Russian and English language.
| Artist / Author | Various |
|---|---|
| Reference | P1143 |
| Date | 2007 |
| Type | Publication |
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
On creating a short series of monologue pieces for the camera.
Composed in the twelfth century in north-eastern Iran, this great mystical poem is among the most significant of all works of Persian literature.
Translated by Sholeh Wolpé
Since 2007, Antennae: The Journal of Nature in Visual Culture has been the international reference point of the non-human turn in the visual arts. This volume gathers the richest interviews and the most thought-provoking essays featured over its forty installments thus far published.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
What do we understand by collaborative artistic practices in Spain? After three years of research, this publication bears witness to the diversity of points of view and opinions by Spanish artists and key agents working in this field.
The aim in bringing these voices together in a single publication is that they will add to the already existing discussion in English and will influence future theoretical discourses more broadly.
Exhibition catalogue; Saatchi Gallery, 16 November – 31 December 2017.
Part of the Library of Performing Rights (LPR) (P3041).
A polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it.
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
The article interrogates the use of amateur and professional disabled performers in the emerging strain of performance practice known as ‘performing failure’.