Exhibition catalogue; 22/10/2017 – 15/04/2018. The exhibition was a follow-up of The SEA – salut d’honneur Jan Hoet (2015).
Programme of the performance which takes the first book of the Old Testament as its inspiration.
How does protest engage with theatre? What does theatre have to gain from protest?
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
The book conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity.
This text addresses demonstrates ways in which animals transform theatre’s capacity to make meaning, and suggests they expose theatre’s negotiations with wider ethical, social and economic questions.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
A book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts.
David Williams, Geographies of Requiredness: Notes on the Dramaturg in Collaborative Devising