Exhibition catalogue; 22/10/2017 – 15/04/2018. The exhibition was a follow-up of The SEA – salut d’honneur Jan Hoet (2015).
Programme of the performance which takes the first book of the Old Testament as its inspiration.
How does protest engage with theatre? What does theatre have to gain from protest?
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
The book conceives of traditional dramatic theater as a place for taming the future and then conceptualizes how performance beyond this paradigm might stage the unruly nature of futurity.
This text addresses demonstrates ways in which animals transform theatre’s capacity to make meaning, and suggests they expose theatre’s negotiations with wider ethical, social and economic questions.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
A book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts.
David Williams, Geographies of Requiredness: Notes on the Dramaturg in Collaborative Devising
Situates both companies and approaches within the wider context of Flemish theatre and society.
SPILL Festival of Performance: On Agency. Kira O’Reilly as festival thinker-in-residence.
On Societas Raffaello Sanzio’s Inferno, Purgatorio, and Paradiso.
Programme of the homonymous Franco-British season of performing arts.
Four booklets published in occasion of the Nam June Paik Festival. 8 Oct 2008 – 5 Feb 2009
English and Korean. Shelved in Oversize publications section.
Catalogue published in occasion of the Nam June Paik Festival. English and Korean. Find attached poster of the event.
Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)