Documentation of the evening which featured a screening of short films and performance documentation by artists working around ritual, performance and queer futurity.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Analyzes the cultural work of spectacular suffering in late-medieval France and the twenty-first century, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
Part of the Library of Performing Rights (P3041)
A union using violence as a language to express affection.
Celebrating curiosity and adventure, the book explores the obsessions, achievements and failures of lesser-known but utterly remarkable individuals who exemplify the human spirit through their stories of invention, trickery, subversion and survival.
In this durational site specific performance at St Clement’s Church, the artists create their sanctuary of sickness. This is a place for freaks, monsters and weirdos. It’s a place of pain, sacrifice and submission in order to survive and you are invited to join them. Co-presented by SPILL Festival of Performance and DaDaFest International: Skin Deep.
LADA screening programme for In Pursuit of Pain, a Wellcome Collection Friday Late Spectacular.
Bob Flanagan: Cystic Fibrosis Song (1977)
Cassils: Inextinguishable Fire (2015)
Wafaa Bilal: Shoot an Iraqi (2007)
Oleg Kulik: Dog House
Orlan: Succesful Operation (1990)
Marina Abramovic: On Rhythm 0 (2013)
Ron Athey: Ron’s Story (2001)
Rocio Boliver: Times Go By and I Can’t Forget You
The collection concentrates on Kelley’s own work, ranging from texts in “voices” that grew out of scripts for performance pieces to expository critical and autobiographical writings.
Endurance was a three-day programme of screenings, performances and exhibition exploring the physical and mental limits of human experience (24 April – 26 June 2008 at VIVID, Birmingham). This forder includes flyers, programme and booklet with programme notes and texts by Tracey Warr, Kay Winwood, Deborah Kermode.
Documentary about the final years of Flanagan's life; his performance, sexuality and mortality.
Article about disability arts.
Digital reference refers to folder containing three movies. Manuel Vason footage (see also British library recording, D1625)
This is an excerpt from Access All Areas publication: P1864.
Digital Reference refers to folder containing 32 movies. Footage by Manuel Vason (see also British Library recording, D1621)
Digital reference refers to folder containing three movies. British Library recording (see also Manuel Vason footage, EF5045)
Digital Reference refers to folder containing 32 movies. British Library recording (see also footage by Manuel Vason, EF5041).
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This DVD was produced by the Baltic Centre for Contemporary Art of Franklin Furnace’s Founding Director, Martha Wilson, on the occasion of the “History of Disappearance” exhibition drawn from Franklin Furnace’s archives.
Turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Survey of key work by artists who have used their own body to create their art, from the 1940s to the 1990s. With introductory essays by Tracey Warr and Amelia Jones. Includes biographical information on contributors. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)