Catalogue > By Keyword > Diana Damian Martin

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The Live Art Almanac Vol. 5

Editor: Bojana Janković, Megan Vaughan, Lois Keidan | Reference: P3977 | ISBN: 978-1-9164243-4-0 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.

Part of Library of Performing Rights (P3041).

Material No2

Editor: Siobhan Davies Dance in dialogue with Something Other | Reference: P4078 | ISBN: 9780-992797439 | Type: Publication

Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.

Daylight

Artist/Author: Amy Sharrocks, Clare Qualmann, Madeleine Hodge | Reference: P3784 | Type: Publication

Newspaper created and published through the four-day programme exploring the interconnections of art, activism, performance, politics, health and print.

Theatre Criticism: Changing Landscapes

Editor: Duska Radosavljevic | Reference: P3533 | ISBN: 978-1472577092 | Type: Publication

Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.

Artist Borderpanic Compendium

Editor: Curious | Reference: P3443 | Type: Publication

A performative publication enabling a rich array of theatrical and artistic scores that can be performed at a moment’s notice.

Part of the Library of Performing Rights (LPR) (P3041).

30 Texts for 30 Years

Artist/Author: Forced Entertainment | Reference: P2659 | Type: Publication

Collection of scores and texts markinf thirty years of Forced Entertainment. Contributors were invited to write about their experience of Forced Entertainment following one rule: each text must be exactly 365 words long.