Mishandled Archive offers a way of imagining, creating and disseminating an archive.
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Second edition of Material concerns itself with in/visibility in contemporary artistic practice, especially dance.
Newspaper created and published through the four-day programme exploring the interconnections of art, activism, performance, politics, health and print.
Brings together artists, curators and producers, writers and critics to think through their relationship with criticism, revealing passionately held and often conflicting opinions on what criticism is and where it resides. Follows Steakhouse: Live Writing, a pilot project undertaken as part of the 2016 Steakhouse Live Festival of Live Art and Performance.
Features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice, sharing perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.
A performative publication enabling a rich array of theatrical and artistic scores that can be performed at a moment’s notice.
Part of the Library of Performing Rights (LPR) (P3041).
Collection of scores and texts markinf thirty years of Forced Entertainment. Contributors were invited to write about their experience of Forced Entertainment following one rule: each text must be exactly 365 words long.