Review of the book published by LADA.
In misc. folder 7.
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
A limited edition publication exploring a series of innovative live performances and events.
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
Documentation from the event about ethics, funding and art that took place at Toynbee Studios, London, on January 29, 2015. 5 minutes.
Documentation from the event about ethics, funding and art that took place at Toynbee Studios, London, on January 29, 2015. 40 minutes.
Part of Palgrave Mcmillan’s ‘small books on theatre and everything else’ series.
Reveals how some of the most significant international contemporary theatre is actually made.
This item is referenced in the Making Routes Study Room Guide (P1964).
In March 2016 the Hear Me Roar! Festival invited LADA to curate a small selection of items for a Pop-up Study Room during the Festival. Hear Me Roar! is a festival of feminist arts in Lancaster. In 2016 the theme was Ages, Stages and Phases celebrating feminist art across the generations.