Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
The fifth of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community.
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
Includes original footage of The American Moon (1960) and Flower (1963), a recent performance of Prune Flat (1965), and Ghost, Whitman’s recent theater work, as well as short documentaries about the works.
Exhibition catalogue. Philadelphia Institute of Contemporary Art and Virginia Museum of Fine Arts, 1992.
Project publication, documenting the series of temporary audio (and video) installations made for the site of Orford Ness on the Suffolk coast.
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
From the special collaborative issue Rambert at the Big Top.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
An extract, chapter five, from The Music: a record that next record consists of the description of the record rather than music. Published to coincide with a dinner hosted by Herbert and Rosie Sykes at the Whitstable Biennale.
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Includes:
Dual performance to Skype camera
Blood, 2013 (1:47); Block, 2013 (1:48); Lançar- to throw 2013 (0:39); Alinhar – to Align, 2013 (0:58); Cloud try 3, 2013 (0:51); Red line, 2015 (0:50); A short story, 2015 (1:04); Annunciation 1 & 2, 2015 (2:08)
Dual performance to the camera
Skull-line, cranial suture, 2014 (0:46); Measuring the room, 2014 (1:27); Tables, 2015 (2:05); To do with you, 2016 (2:20); Push, 2011 (1:25); Dictionario (excerpt), 2011; And –And, 2016 (3:44)
Exhibition catalogue. 18 September – 12 October 2014. Curated by Clemens Poole.
In Ukranian and English.
A curated program of temporary public art installations throughout the city of Kyiv, challenging artists and viewers to creatively address the changing physical, emotional, and social concepts of occupation.
Rodenbeck offers a rigorous art historical reading of Kaprow’s project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art’s participatory strategies.
DVD of the collaborative performance by The Taipei Chinese Orchestra (TCO) and U Theatre performed at Zhongshan Hall in September 2007. “Breaking Dawn” combined modern theatre, percussive drumming and traditional Chinese music to create a visual concerto of sights and sounds.
The publication is constructed around the two works, Capitol Complex (2012–2014) and Ulterior Vistas (2012–2013), both of which are encapsulated on a ten-inch vinyl record. The spoken-word compositions are enclosed within a gatefold design and accompanied by the Capitol Complex manuscript as a booklet insert and a bound series of Ulterior Vistas photographic montages. Format hardback: + 10″ vinyl record. Printed in an edition of 500.
Unlimited Theatre, Storythings and the Product Design Research Studio, University of Dundee – the team behind UNeditions – share their experiences of what makes co-design work.
Exhibition catalogue of the retrospective at The Musee d’Art Moderne de la Ville de Paris in 1996.
Four parts documentation of a piece exploring repetitive ritual, within a framework of noise and projected through a semi constructed physical structure. Presented in the context of “Fem Fresh” (Sunday 8 June 2014), a collaboration between Queen Mary, University of London and the Live Art Development Agency, featuring presentations and dialogues on, about, and around feminism and age in Live Art.
Portfolio of images of the artistic work accompished by the duo over the last two decades.
Focusing upon the artist’s investigation into the human condition, this DVD brings together a comprehensive selection of works from 1966-2005. English, German.
A DVD assembling documents the event “.perf 2013″, including excerpts from the performances as well as commentaries and reviews from several art critics.
Documents from the performances “A Greaât Stitheram” in the Greyfriars, Lincoln, and “Change in Energy = the Work” at Arnolfini.
Small catalogues documeting three exhibitionary cycles of works in mixed media by students from Valand Academy’s Fine Art and Photography programmes.
Investigates sound art and its various manifestations through historical, theoretical, polemical and critical analyses of artistic, musical and literary works
Comprehensive overview of the life and work of Bruce Nauman.
Nothing In My Pockets is a sound diary, concieved for the Atelier de Creation Radiophonique de France Culture, kept between July and October 2003. An intimate journey into the artist's personal universe. 2 CD's are presented with previously unpublished visual and text documentation.
This manual isn’t for theatre technicians and it doesn’t aim to make you into one. What it aims to do is give you a greater understanding of how to approach, plan and execute technical set ups in order to make your artistic visions a reality.
Exhibition catalogue, Dallas Museum of Art
Showreel and short films
Video compilation of selected performances by the mixed-media Brazilian duo Tetine: Samba de Monalisa – Tetine vs Sophie Calle; Tropical Punk; Shiva; Voodoo Dance; Revolver; Dance to Death; Mata Hari; Verite; Macumba; Let the X be X.
Video document of the performance by the mixed-media Brazilian duo Tetine, recorded live at the Stenersen Museum, Oslo, September 2012.
This album by the mixed-media Brazilian duo Tetine is a DIY collection of tropical mutant punk funk/ new wave & experimental electro pop fused with minimal dark sambas and leftfield percussive drum machine-pop, forming a set of personal electronic/post punk pieces with a very distinctive melodic and harmonic sense.
Video document. The mixed-media Brazilian duo Tetine perform a new score for the 1968 movie The Red Light Bandit rearranging its narrative through spoken and pre-recorded voices, found sounds, electronic music, plain love songs and manifestos.
Texts and images on the mixed-media Brazilian duo Tetine. Article and documents in folder. Also see REF D1971-4.
In Miscellaneous Articles Folder 4.
Video document of performance. The Post War Orchestra is a growing ensemble of musical instruments made from recycled military equipment by Hilary Champion: devices once designed to maim and kill could be recycled and turned into musical instruments.
Documents of the performance 2 Divide, a duo exploring the lack of unity and the tendency to create conflict that can happen in our own brain or in a war field. Absurd, personal and mythological narratives come together through the languages of physical theatre, sound and installation.
Picture Slideshow and video documentation. In this collaboration, Eru and Seven of Eglise explore the idea of simultaneous sound work and Performance Art live work as two different entities.
A short film by NaoKo TakaHashi, produced during Sharjah Biennale 7’s Artist in Residency Program
Study Boxes contain hand picked selections of DVDs, books and other materials from the LADA Study Room around specific themes. Installed in Festival hubs and other locations, and curated in dialogue with partners, each Study Box can hold between four to ten items and can be used by audiences for a quick browse or a day-long study. After the events the Boxes are returned to the Study Room and listed in this Guide so that users can explore these themes and materials during their visit to the LADA Study Room.
Exploration of technology’s influence on artistic performance practices in the twentieth and twenty-first centuries.
A Girl Skipping was devised and premiered in 1990.
3 DVD’s featuring the work of Junya Ishii.
Audio CD entitled Game and Subtlety: a Performance series in Mexico. Language: Spanish