Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Situates both companies and approaches within the wider context of Flemish theatre and society.
How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?