First edition of the anthology consisting of texts written by artists active within the field of dance and choreography in the Nordic countries.
In Nordic languages and English.
A unique insight into the relationship between Abramovic’s biography and artistic work.
Reflects on CAPP (Collaborative Arts Partnership Programme), which took place 2015-2018.
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
Three drunks in bad wigs and jumble-sale clothes endlessly enact the events surrounding the supposed or imagined death of one of their friends as if, by replaying the events, their truth or otherwise might be revealed.
High quality multi-camera performance documentation recorded at Trent Polytechnic, Nottingham, June 1989, 70 mins. approx.
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
Starting with the questions: Does it Work? and How Can We Know? this article explores the effect and affect, or affect, of activist art.
An artist book reinterpreting a range of approaches to thinking and making that Emanuele and Burgoyne enacted through collaboration and collective process. The book evolved from a residency and exhibition at the Centre for Recent Drawing in 2015.
Documentation and reflections on the project that took over three disused shop spaces in Sharrow, Sheffield. Started in 2002, the project continues around the country to this day.
Video recordings of the open forum presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.