A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2015 and December 2017. Selected through recommendations and an open call for submissions, Volume 5 reflects the dynamic, international contexts that Live Art and radical performance practices occupy.
Part of Library of Performing Rights (P3041).
Since 2007, Antennae: The Journal of Nature in Visual Culture has been the international reference point of the non-human turn in the visual arts. This volume gathers the richest interviews and the most thought-provoking essays featured over its forty installments thus far published.
Exhibition catalogue; Saatchi Gallery, 16 November – 31 December 2017.
Part of the Library of Performing Rights (LPR) (P3041).
A book of case studies of performance art in Eastern Europe.
The first extensive survey of walking in contemporary art. This item is part of the Study Room Guide to Remoteness (P2600).
Book documenting the discussions, works and event culminating in the exhibition I Believe opened in Moscow on 28 January 2007. The project instigates the possibility for contemporary artists to address the issue of the transcendental. Russian and English language.
Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Small selection of work concerning Audiences and Pain: audiences inflicting or being complicit in artists’ pain, audiences bearing witness to painful or unbearable actions and ideas, or audiences being subjected to pain and discomfort themselves.
Survey of key work by artists who have used their own body to create their art, from the 1940s to the 1990s. With introductory essays by Tracey Warr and Amelia Jones. Includes biographical information on contributors. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)