Documentary exploring the life of Brion Gysin, inventor of a hypnotic light device called the Dreammachine. Includes interviews from some of the ’60s counter-culture’s most eccentric icons.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
Spells are poems; poetry is spelling. Spell-poems take us into a place where the right words can influence the universe.
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
On curating psychedelic experience.
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
Introducing the idea of performance as a shared transformative experience, this engaging book will help you make sense of the performer/audience interaction in a landscape where boundaries are collapsing.
Zine from the long term project led by Victoria Sin featuring artists using speculative fiction as a productive medium for intersectional queer experience.
The essay interrogates Hadas Ophrat's piece Insomnia.