The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Zine focusing on the questions that speculative fiction can ask which are especially important now.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Examines what it might mean to make theatre beyond the human.
Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.
A practical handbook on the lost art of getting lost, reading the signs around you, following their lead, and creating your own.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
Using a series of exercises and increasingly in depth ‘trips’, the book sets out clear and concise steps to enable individuals and groups to access their imagination and unconscious reason, to work on behalf of others. Using a series of exercises such as ‘Becoming a Bat’, ‘Crawling’, ‘Draw a Sound’ and ‘Impersonating a Human’, Marcus Coates has developed his own practical techniques to solve problems that we might otherwise remain dumbfounded by.
In the glass cabinet.
A supplement in St Helen’s Star, sharing and documenting the project which has been taking place in the town since for 12 years.
Part of the Library of Performing Rights (P3041).
Festival / exhibition catalogue. 6-18 October 2017.
In Croatian and English.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.
Brian Eno examines the ecology of culture and seeks to demonstrate how the whole complex of individuals and institutions engaged in culture – artists, broadcasters, gallerists, promoters, DJs, managers, lawyers, fans – are symbiotically connected parts of a single huge organism which we call Culture. Miscellaneous folder #5A.
This publication explores the pivotal role artists play in re-thinking the future; re-inventing and re-imagining our world at a time of systemic change and uncertainty. This book identifies collaborative arts practices emerging in response to planetary challenges, reclaiming a traditional role for artists in the community as truth-tellers and agents of change.
This publication examines the connection between Fluxus artists such as George Maciunas, Geoffrey Hendricks, Al Hansen and Ben Patterson, and Romantics such as Caspar David Friedrich and Ludwig Tiek.
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Timeless Land is a visual documentary/poem inspired by Kevin Walsh’s life. The images are guided by his music when he was a ‘Full moon scientist’ (his band with Steve Rowlands – with albums at Hard Hands and Botchit&Scarper), music that expresses Kevin’s cosmology and wonders through Time and Imagination. Part of the underground music scene of the 90’s, Kevin was also a punk-rocker, a poet and a Dj. This film is a special homage to him and his music. A 14 min remix version integrates London Ground series. Directed + Camera, sound, editing by Claudia Tomaz.
Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist. A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes