A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
Spells are poems; poetry is spelling. Spell-poems take us into a place where the right words can influence the universe.
Zine from the long term project led by Victoria Sin featuring artists using speculative fiction as a productive medium for intersectional queer experience.
Includes Rick Moody’s extensive interview with Odyssey Works team members as well as six practical proposals that present a radically new unified theory of art making addressing immersivity and interactivity, experience design, the Heisenberg Uncertainty Principle as it relates to documenting artwork, and intimacy and empathy with the audience.
Direct Approach is a project based on conversations about violence in film and reality. Participants are asked to describe from their memory the most violent film scene they have ever watched. Then they are asked to choose one of the characters from the film scene: victim, perpetrator or bystander.
Documentary exploring the life of Brion Gysin, inventor of a hypnotic light device called the Dreammachine. Includes interviews from some of the ’60s counter-culture’s most eccentric icons.
Spiral bound. Illustrated by Lisa Watts, Foreword by Sarah Gorman.
The book is an extension of the exhibition, composed of entries from each performer/artist celebrating the work of Stuart Sherman.
Examines how contemporary performance practices have been driven by questions of The Real and the consequent political implications of the concept's disintigrating authority.
Sophie Calle's project Double Game interweaves the artist's life with that of Maria, a character in Paul Auster's novel 'Leviathan', blurring the lines between reality and fiction. Second edition
Performance text. In Nights in this City, Forced Entertainment takes its audience on a coach tour of various locations in Sheffield. The performance consisted of commentary by two consecutive guides, a series of staged interventions in the city streets and other unpredictable events. Small booklet in large folder.
Debut film of Turner Prize winner Gillian Wearing. Supported by Fly Film Production, Third Films,Channel 4 Britdoc Foundation, the Arts Council of England and Abandon Normal Devices. see also: P1886 Gillian Wearing exhibition catalogue
Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist.A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes
Two exhibition catalogues. In English and Spanish. For video documentation see REF. D1128
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 4 of 4, see REF. D1109/D1112. Part of NRLA 2008.
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 3 of 4, see REF. D1109/D1112.
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars.. Disc 2 of 4, see REF. D1109/D1112.
Reconstructs the radical heterogeneous landscape of Lebanon destroyed by crises and wars. Disc 1 of 4, see REF. D1109/D1112.
Study of how historical memory and understanding are created in Holocaust diaries, memoirs, fiction, poetry, drama video testimony and memorials.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Includes 249 performances in the words of their creators and a comprehensive index of the terms used to describe them.