Eight issues of the interview zine about performance.
A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
A collection of secret stories exploring sexuality, vulnerability and desire, taken from interviews with butches, masculine women and gender rebels living worldwide.
Part of the Library of Performing Rights (P3041)
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
A single row of audience members around the edge of a performance space A curtain sometimes running across it cutting the space (and the audience’s view) in two. In glass cabinet.
In 1990, Myles chose Rosie from a litter on the street, and their connection instantly made an indelible impact on the writer's way of being. Over the course of sixteen years together, Myles was devoted to the pit bull and their linked quality of life.
Review of the performance in which Finley delivers a lecture called Life of a Glamour Girl in the character of Jackie Kennedy.
Four monologues, interspersed with game-show antics requiring audience participation.
53 minutes. Unknown date.
This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5201.
Four monologues, interspersed with game-show antics requiring audience participation.
53 minutes. Unknown date.
In a series of letters composed to each other and delivered to camera, artist Tim Etchells and writer Adrian Heathfield examine what underlies their shared interest in the notion and forms of Variety.
73 minutes. 2006.
The Future Show is both a performance and an on-going project. It is a piece that tells the story of a one person's future, starting from the end of a performance and going until the end of her life.
Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.
Text in German and English. The Inner Voice features works by Asta Groting, with texts by Tim Etchells, Deborah Levy and Stella Rollig
Concept by Asta Groting, ventriloquist Buddy Big Mountain, script Deborah Levy. Running time 15 minutes.
The 110-minute feature is a melding of Jones’ real life experiences with fictional elements delivered to the direction of Australian filmmaker, Amiel Courtin-Wilson.
This item is referenced in the Making Routes Study Room Guide (P1964).
Hirvanen is a Finnish artist, choreographer, and performance maker; visit www.hirvanen.net for more info
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Chelsea programme notes:In a world consumed by identity crises and at the same time dominated by advertising, how might a humble being begin to claim back space?Director Richard Maxwell: “ADS captures and refines questions I have been thinking about for a long time. What is presence? What does absence provide? What is it about performance that I like? What is it about people that I like? ” ADS offers participants an opportunity to publicly state their beliefs with one stipulation: Be sincere.”Boundary-pushing…suggests…you can create humane, affecting works of theater without the literal presence of human beings.” – Charles Isherwood, The New York TimesConceived and directed by Richard Maxwell for New York City Players
This documentation has since been presented with the permission of Revelation Films as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
An anthology of seven texts by Belgian multidisciplinary artist Jan Fabre.