An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and recreated the opening audition scene from the 1985 film 'A Chorus Line'.
Part of LADA Screens 12. The film was available online 9 - 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.
Zine from the long term project led by Victoria Sin featuring artists using speculative fiction as a productive medium for intersectional queer experience.
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016
Includes company interviews on politics and arts with individual artists and a blog post, The Plight of the Black Artist: The residency industry, by Zinzi Minott.
A small selection of study boxes curated by Live Art Development Agency for the Live Collision Festival in Dublin, April 2014. Boxes were based around live art history, disability, activism, bodily functions, race, queer performance.
Part of Sacred, a season of contemporary performance at the Chelsea Theatre, London, 19 October 2012 – 1 February 2013. No. 8 of 10. For the complete series see Ref. D2069-D2078.