Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
A response to KAPUTT: The Academy of Destruction at Tate Modern, October 2017.
Over the course of seven weeks, the Stanley Picker Gallery in Kingston handed over its exhibition space to host a series of week-long Live Art residencies.
Includes documentation of individual weeks, plus a compilation video.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
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Review of Vason's book, published by the Live Art Development Agency and Intellect Books.
This small publication marks the 20th anniversary year of The Arts Catalyst. It celebrates some of the 120 artists’ projects commissioned over those two decades.
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.
A small, limited print booklet collecting conversations on artistic practices and creative processes.
Commissioned by the Live Art Development Agency this collection of videos collated into a DVD represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks. DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes – see D1050. Accompanying essay/booklet by David A Bailey , 14 pages, 14cm x 19cm – see P1081.
1 of 2 DVDs (see also REF. D1960). Unedited work in progress version of the round table discussions commissioned by the Live Art Development Agency for Documenting Live a publication and dvd resource that represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks (see REF. P1081 and D1050).
1 of 2 DVDs (see also REF. D1961). Unedited work in progress version of the round table discussions commissioned by the Live Art Development Agency for Documenting Live a publication and dvd resource that represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks (see REF. P1081 and D1050).
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Box archive of Anne Bean's Legacy Project TAPS: Improvisations with Paul Burwell co-curated by Robin Klassnik and Richard WilsonOver the course of three days TAPS combined film, installation and performance, portraying layers of interpretation from more than 80 invited collaborators, in response to Paul Burwell's poem ‘Adventures in the House of Memory'. Paul Burwell was infamous for his exuberant fusions of fine-art installation, percussion and explosive performance. He was a staunch advocate of, and passionate participant in, all forms of experimental art. TAPS: Improvisa- tions with Paul Burwell, realised by Anne Bean, Robin Klassnik and Richard Wilson embodies his prolific practice. TAPS was supported by a Legacy: Thinker in Residence Award to Anne Bean. Legacy is a collaboration between the Live Art Development Agency and Tate Research, financially assisted by Arts Council England and the Live Art Development Agency. Legacy acknowledges the outstanding bodies of work of two artists who have influenced the development of the Live Art field by supporting them to think about the legacies of performance in art historical contexts and examine the processes and challenges of archiving live work. Boxed archive includes:Matt's Gallery press release for TAPS: Improvisations with Paul BurwellTAPS: Improvisations with Paul Burwell newspaper publicationThe Wire #319 September 2010 – p.32 Tribute to Paul Burwell by Julian CowleyThe Wire #321 November 2010 – p.74 Review of TAPSD1469 (copy) Performance Matters 06.10.2010, Performing Idea: Living ArchivesFeaturing TAPS presentation by Anne Bean at 00:46:10
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes.Accompanying essay/booklet by David A Bailey , 14 pages, 14cm x 19cm.
Essay by David A Bailey , 14 pages, 14cm x 19cm. Attached DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Texts/images by artists in receipt of an Artsadmin Bursary. This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)