The second volume of the landmark trilogy consent not to be a single being.
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
Through personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection.
Reaffirms the central position of the body in various artistic practices through in-depth conversations with choreographers, composers, visual artists, hip hop artists, dramaturges, a light designer and a puppeteer.
Seminal but rarely seen performance, recorded at Club Lingerie in Los Angeles, California, 1984.The folder also includes a short promotional video.
Part of LADA Screens 8. The film was availble online between 29 March – 11 April 2016 on the LADA Screens Channel.
A short documentary made during a climate change summit, COP15, which took place in Copenhagen in December 2009.
This video was part of LADA Screens, and was available online from 30 November 2015 to 13 December 2015.
HD Video, 37 minutes.
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)
On Taylor Mac: a 24-Decade History of Popular Music
Report about the Arts and Humanities Resarch Council funded prject.
Genesis has selected h/er unseen and personal photographs to illustrate h/er journey of life as continuous creativity.
Limited edition; 352 / 1323. In glass cabinet.
Explores the histories of race and technology in a world made by slavery, colonialism, and industrialization. Beginning in the late nineteenth century and moving through to the twenty-first, the book argues for the dependent nature of those histories.
Offers a richly detailed portrait of the internationally renowned composer, performer, director, and filmmaker.
In these essays on the cinema, the author documents the obsessions leading to “Paris, Texas” and beyond.
Anthology of scores, scripts, instructions, diagrams and documentation of art works that are meant to be heard.
Publication celebrating the 20th anniversary of the festival of emerging practices. In French.
From Acker's earliest interviews–filled with playful, evasive, and counter-intuitive responses–to the last interview before her death where she reflects on the state of American literature, these interviews capture the writer at her funny and surprising best.
Brings together established and emerging practitioners who work with light, as material or subject.
Documents an international artistic research project initiated by Norwegian Theatre Academy/Østfold University College.
Brings together the work of acclaimed blogger, writer, political activist and lecturer, covering the period 2004 – 2016.
Publication that emerged from, and was inspired by, an exhibition held across Southampton’s John Hansard Gallery and SeaCity Museum in 2014.
The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
A collection of music and words created in MiD workshops.
Part of the Library of Performing Rights (P3041)
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
Presents items from the Ivor Cutler archive to accompany the exhibition Ivor Cutler: Good morning! How are you? Shut up!
Goldsmiths CAA, 1st October – 4 November 2018.
This collection of writings by the author of Capitalist Realism, argues that we are haunted by futures that failed to happen. Fisher searches for the traces of these lost futures.
Draws together revised writings alongside new journeyings from the A Year In The Country project, which has undertaken a set of year-long journeys through spectral fields; cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. It is a wandering amongst subculture that draws from the undergrowth of the land.
Wild, hilarious and shameless account of Jayne's life from her cissy-boy childhood in Georgia to her 90s renaissance, as a new wave of superstars claim her as their inspiration.
Part of the Library of Performing Rights (P3041)
Programme for the Afrikaans language festival that forges creative connections with English and Sotho cultures; 18-22 July 2017.
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books.
What is it this time? Oh, is it unemployment? Is there a crisis? Did the government do something wrong again? No, it's a show about Dolly Parton.
Interview with Meredith Monk.
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
The 2016’s season centres on the theme of Potentialities – the potential to develop in the future and transform society.
11 August – 17 September 2016.
They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why. Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.
Slovenian collective's second album.
Part of the Library of Performing Rights (LPR) (P3041).
Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).
The first in-depth sourcebook in English on the compant, providing first-hand accounts of the development of its collectivist practices and ideals.
Part of the Library of Performing Rights (LPR) (P3041).
Collection of essays on art and anarchism.
Part of the Library of Performing Rights (LPR) (P3041).
An Investigation into the political efficacy of Pussy Riot’s art.
An extract, chapter five, from The Music: a record that next record consists of the description of the record rather than music. Published to coincide with a dinner hosted by Herbert and Rosie Sykes at the Whitstable Biennale.
Throughout the 1980s and early 90s, Gordon produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts place her writing within the context of the artist-critics of her generation.
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
Named after her renowned exhibition at London's Lisson gallery in 1967, this volume features Ono's most important works. It also includes photographs of Ono surrounded by her art, her billboards, “instructions,” letters, invitations to her performances, and exhibition posters.
Published on the occasion of exhibitions at Schirn Kunstahlle Frankfurt (February-May 2013), Louisiana Museum of Modern Art, Humlebaek (June-September 2013) and Guggenheim Museum Bilbao (March-September 2014)
A collection of some of the essays and lectures that have made Cage's name synonymous with all that is unpredictable and exciting in contemporary music.
50th Anniversary Edition edition.
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
Founding member of Sonic Youth and role model for a generation of women, tells her story.