Explores Ann Lee as the subject par excellence of contemporary neoliberal capitalism.
An interview focused on An Extraordinary Rendition, performance created in response to the work of Goat Island. In misc. folder 7.
Documentary bout queer live art on tour across the UK .
From a new project inspired in equal parts by Japanese Kabuki Theatre, the vocaloid Hatsune Miku and the 1987 film Mannequin.
Includes:
The Fables of la Fontaine 5 (2007)
Walking Around Planet (2005)
Suspended Moments (2007)
Toubabou… Toubabou… (2007)
Farafin a ni Toubabou (2007)
The Small Clouds Crossing the Sky of the Soul (2007)
Peformance video: The Yard Theatre, London, January 2018 (1hr)
For a digital copy see EF5286.
Includes:
– video of Bi-Curious George and Other Side Kicks, The Yard Theatre, London, January 2018 (1hr)
– video of Britney Spears Custody Battle Vs. Zeus in Swan Rape Shocker, The Marlborough Pub and Theatre, Brighton, 2015 (42mins)
– cartoons
Explores the daily lives of two aging, eccentric relatives of Jackie Kennedy Onassis. Edie Bouvier Beale and her mother, Edith, are the sole inhabitants of a Long Island estate.
Argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. Boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order.
Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.
First-person account of an intensive process of training in sleight of hand magic, undertaken by Corrieri in his teenage years. Accompanied by a short online video, as well as illustrations from a classic book on coin magic, the text explores the configuration of the magician’s studio, the relation to the mirror, and the forms of exchange with other sleight of hand magicians.
On negotiating consent and ethics in autobiographical performance. With contributions from Mary Pearson.
The essay interrogates Hadas Ophrat's piece Insomnia.
Correspondences exchanged between the two authors as part of the Performance and the Maternal project.
This text explores how performers offer conscious-and unconscious-portrayals of the spectrum of age to their audiences. It considers a variety of media, including theatre, film, dance, advertising, and television, and offers critical foundations for research and course design, sound pedagogical approaches, and analyses.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Four Institute boys, Neal, Gabriel, Sid and James, narrate their first ever protests with the help of their parents Lena Šimić and Gary Anderson and four activists x-Chris, Ritchie Hunter, Mel Evans and Ewa Jasiewicz.
This video for camera was made at home with the artist's one year old son: he is invited, or given reason, to interact with household, domestic, materials – in isolation and removed from some context.
12 minutes.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
The first work to critically examine the dilemmas and promises of representing feminist motherhood in contemporary art and visual culture.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Two recommended reading lists of titles, artists and groups related to Live Art and Motherhood.
See uploaded files.