The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Narrates the turbulent yet distinguished history of one of the fundamental pillars of British broadcasting–the arts.
The essential introduction to the most important texts in post-colonial theory and criticism.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).