Published in conjunction with MoMA’s retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper’s practice in ways that have been previously under- or unaddressed.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
The second volume of the landmark trilogy consent not to be a single being.
The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
What is it that makes humans, human? As science and technology challenge the boundaries between life and non-life, between organic and inorganic, this ancient question is more timely than ever.
Examines the construct of memory, the passage of time, and the “end of history.”
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.