Formulates a history and theory of biosemiotic and proto-biosemiotic thinking in order to open up new possibilities of contemporary social, philosophical, aesthetic and technological engagement.
Surveying the history of art, technology and information systems the books reveals the dark clouds that gather over discussions of the digital sublime.
A compilation of the best of Library Juice, an e-zine that dealt with foundational questions of librarianship during a period of rapid change.
Part of the Library of Performing Rights (LPR) (P3041).
Examines the frustrations and limitations of conventional Western academic research on social change and describes the struggle to fashion a new approach based on the principle that people have a universal right to participate in the production of knowledge that directly affects their lives.
Part of the Library of Performing Rights (LPR) (P3041).
Puts the field of Information Studies into critical conversation with studies of gender, sexuality, race and technology, with writings from a broad range of renowned scholars. Contributors: Sandy Stone, Patrick Keilty, Rebecca Dean, Mary Flanagan, Melodie J. Fox and Hope A. Olson, Alvin M. Schrader, Judy Wajcman, Chela Sandoval, Jessica E. Brophy, Zabet Patterson, Lisa Nakamura, Lori Kendall, D. Grant Campbell, Melissa Adler, Dean Spade, Jasbir K. Puar, Carlos Ulises Decena, Sherilyn M. Willaims and Pamela J. McKenzie, Mica Ars Hilson, Steven Maynard, Judith Halberstam, Ajamu X, Topher Cambell, Mary Stevens, Danielle Cooper, K. J. Rawson, Ann Cvetkovich, Aliza Shvarts, D. Grant Campbell, micha cardenas, Zach Blas, Leah A. Lievrouw.
a-n The Artists Information Company, Establishing a Charge Rate for Working Artists, artists' resources, finance, arts funding, financial advice for artists.