Catalogue > By Keyword > voice

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Book Reviews - Shakespeare's Accents : Voicing Identity in Performance by Sonia Massai

Artist/Author: Elizabeth Moroney | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0910 | Type: Article

Contemporary Theatre Review, Volume 31 Issue Number 4 November 2021

Black Performance Theory

Editor: Thomas F. DeFrantz and Anita Gonzalez | Reference: P4026 | ISBN: 978-0-8223-5616-5 | Type: Publication

Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.

Part of the Library of Performing Rights (P3041)
 

hereafter

Editor: Charlie Ashwell, Es Morgan | Reference: P3975 | Type: Publication

How do artists respond to the question of collective survival in the face of crisis? Can writing articulate, subvert and test the ever-present question of the future in modes that are nonlinear, affective and even choreographic? What are our hopes, fears and desires?

Part of Library of Performing Rights (P3041).

Conversations with Meredith Monk

Artist/Author: Bonnie Marranca | Reference: P3954 | ISBN: 978-1555541590 | Type: Publication

Offers a richly detailed portrait of the internationally renowned composer, performer, director, and filmmaker.

The Little Book of Answers Vol.1

Artist/Author: Laura Malacart | Reference: P3539 | Type: Publication

Compiles the correct answers of six UK naturalisation exams.

Part of the Library of Performing Rights (LPR) (P3041).

Noise, Water, Meat: A History of Sound in the Arts

Artist/Author: Douglas Kahn | Reference: P3493 | ISBN: 978-0262611725 | Type: Publication

This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.

Meredith Monk

Editor: Deborah Jowitt | Reference: P3201 | ISBN: 978-0801855405 | Type: Publication

An absorbing portrait of an artist whose career spans three decades of American avant-garde performance. Collecting writings by Monk herself, along with significant reviews, essays, interviews, and photographs of Monk’s unique performance events, the book establishes her as one of the great treasures of contemporary American culture.

Staging Age: The Performance of Age in Theatre, Dance, and Film

Editor: Valerie Barnes Lipscomb and Leni Marshall | Reference: P3147 | ISBN: 978-0230623651 | Type: Publication

This text explores how performers offer conscious-and unconscious-portrayals of the spectrum of age to their audiences. It considers a variety of media, including theatre, film, dance, advertising, and television, and offers critical foundations for research and course design, sound pedagogical approaches, and analyses.

Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)

Avant-Garde Theatre Sound: Staging Sonic Modernity

Artist/Author: Adrian Curtin | Reference: P3108 | ISBN: 978-1349459063 | Type: Publication

Explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.