The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
In English and Finnish.
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
Seminal but rarely seen performance, recorded at Club Lingerie in Los Angeles, California, 1984.The folder also includes a short promotional video.
Part of LADA Screens 8. The film was availble online between 29 March – 11 April 2016 on the LADA Screens Channel.
Retrospective review: Cooper Gallery, Dundee, 27 October to 15 December 2018.
In misc. folder 7.
Illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers.
On Rosemary Butcher's choreographic concerns through 20 uncompromising years.
The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.
Part of the Library of Performing Rights (LPR) (P3041).
The dancers develop movements in response to a photo – creating in real time.
Part of the Library of Performing Rights (LPR) (P3041).
educationaa
Exhibition catalogue. Raven Row, 30 June – 6 August 2017
An email conversation between a noted poet.walker and a noted performance.walker about being temporarily prevented from walking 'normally' by illness/surgery. Their reflections cover cultural perceptions and personal values associated with walking, personal anecdotes, philosophical reflection, practices for daily-life and an alphabet of falling.
54 intriguing encounters produced by artists involved with the Walking Artists Network and beyond.
Performance text; performers have to learn all the parts while trying to be each other rather than presuming to enact characters.
Book review.
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
What happens when a 12-18 month old is let loose in a soft, safe space with someone who follows and reflects their every sound, move and mood? The interaction between babies, performers and the audience of parents and carers is what makes this an utterly unpredictable event.
Includes a 10 minute edit and a video of the 45 minute performance a the 2005 Melbourne Festival.
Part of the Study Room Guide on Live Art and Kids (P3091).
Images from In 12 am: Awake & Looking Down and Quizoola!
Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s. Includes deleted scenes, interview with directors and a booklet with Damon Wise film notes.
100 minutes
In the summer of 2006, the two artists travelled across the Pennine Way creating a choreographic pathway – a shared journey and celebration of walking as dance and dancer as traveller.
The book examines the creative processes of eight theatre companies making devising-based performances: The People Show, Station House Opera, Shunt, The Red Room, Faulty Optic Theatre of Animation, theatre O, Gecko and Third Angel.
Part game, part improvisation, this unique 24-hour live experience pits alternating pairs of performers against one another as they test their opponents with an avalanche of questions.
Recording on a hard drive.
Recorded 12-13 April 2013 at the Barbican; part of SPILL.
In a safe box.
Review of the performance One Thing Follows Another by Gail Priest and Jane McKernan, at Performance Space in Sydney, Australia, August 2014.
A look at the radical, experimental dance presented during the early 1960s at Judson Memorial Church in downtown Manhattan.
*currently unavailable*
Investigates the implications of technology on identity in embodied performance.
British black comedy film directed by David Hoyle, Gary Reich and Mike Nichols. Starring: David Hoyle and Ashley Ryder. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Box archive of Anne Bean’s Legacy Project TAPS: Improvisations with Paul Burwell co-curated by Robin Klassnik and Richard Wilson.
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
An artist’s book in which American choreographer reflects on her own practice in dialogue with several (former) Damaged Goods collaborators.
Durational performance, 1-21 February 2008.
Includes 249 performances in the words of their creators and a comprehensive index of the terms used to describe them.