This collection touches upon numerous ideological categories that appear in the encounters between East and West as a consequence of the hierarchical matrix of the western narrative.
| Editor | Bojana Cvejić, Goran Sergej Pristaš |
|---|---|
| Publisher | TkH/CDU |
| ISBN | 9788690589968 |
| Reference | P2541 |
| Date | 2013 |
| Type | Publication |
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
First edition of the anthology consisting of texts written by artists active within the field of dance and choreography in the Nordic countries.
In Nordic languages and English.
Information on a new transdisciplinary project of plant / human / animal / machine hybridisation started in 2016.
Newspaper created and published through the four-day programme exploring the interconnections of art, activism, performance, politics, health and print.
The first volume in the trilogy consent not to be a single being engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life.
Shows why cognitive injustice underlies all other dimensions; global social justice is not possible without global cognitive justice.
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
Combines performance analysis with contemporary political philosophy to advance new ways of understanding both political performance and the performativity of the politics of the street.
Offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers.